Two Tulips - Andy Sears

Which way with stock photography


While I have been contributing to stock photo libraries for many years, it has not exactly been a ‘get rich quick’ scheme. There are many libraries you can join up to and offer your images for sale, and here I will give a little insight into the ones I have used over the last few years, which are:

  • Adobe Stock / Fotolia
  • Picfair
  • EyeEm
  • Alamy

Adobe Stock / Fotolia

Adobe Stock, which took over the Fotolia stock library, is where I have sold most images, with over 2000 image sales. While a low earner, the ‘credits’ I received mostly went back into purchasing images for my web design work.

Because of the integration with the Adobe Suite and Creative Cloud, Adobe Stock enjoys vast reachability. The earning are generally very small per image, i.e. £0.20p, so while pretty pitiful, it is still nice getting the email stating ‘Congratulations one of your images has been sold’.

Adobe Stock Images



Picfair is a little unique, not as big or as well known as Adobe Stock, but work on a fair price principle. While I have only sold a few images with them, the earning compared to Adobe Stock increase significantly. Wih £5.00 commision earnt on each of my sales, each sale with Picfair ears the same as selling 25 images on Adobe stock.

Picfair Images



EyeEm, a large stock library boasting 20 million contributors, the licence image direct themselves but also supply images to the likes of Getty Images. Earning on images sold work out around £2.75 per image, so again not a lot for your effort. One of the dislikeable things about EyeEm that I found, is the time it takes to review and accept images, we are talking weeks!.

EyeEm Images



Alamy’s claim is to be the worlds most diverse stock photo collection. It is big and a strong contender up there with Adobe Stock. I probably use Alamy more than the other now, upload is easy, image review is 1 – 2 days typically, and the earnings much better. The earnings vary greatly with most sales generating me £7 – £10, but then you get a nice sale with a single image generating £145.00 in commision the equivalent of selling over 700 Adobe stock images.

The interface for Alamy is easy to use and allows extensive keywording and descriptions, which again can only help sales.

Alamy Images 


So there you have it, a quick overview of just a few of the many stock photo libraries out there waiting to sell your images.


Benington Lordship, Hertfordshire, England


The Benington Lordship historic Georgian manor house,  Gardens, and the remains of a Norman motte and bailey castle, is located just east of Stevenage, and around 35 miles north of London, in the picturesque village of Benington, in the county of Hertfordshire.

The garden at Benington Lordship are open at various times of the year, the snowdrop walks throughout the grounds are particularly popular towards the end of wintertime.

Visit the Benington Lordship website for more information. Click Here

Capture One Pro – Low Key


Continuing my learning curve with Capture One Pro I am amazed at the amount of control over an image I have available. Now at version 11 of this software from Phase One, the software become better with each release while still maintaining incredible speed on my 5-year-old mac.

A quick capture of some images of Tulips bought from the supermarket. Using only window light from the right-hand side and a plain ‘Mocha Brown’ wall with poor light shadows.

The light hitting the background looked wrong, with window light coming in from the right, the background was set back a couple of feet causing the right-hand side of the background to be much darker than the left-hand side. The Tulip was receiving a good light from the window and lit well on the right-hand side. My other problem was the light itself, a cloudy day, but late afternoon and had a yellow tinge.

The images looked ok(ish) in live view and I knew how I wanted the final images to look and knew I would be doing the post-processing to get what I wanted.

Firstly was to correct the white balance, and also reduce the vibrancy of the colours, The greens and pinks were separately lowered in saturation. An adjustment layer was added with a left to right gradient mask, and the exposure lowered to make the left-hand side darker, the colour saturation was also lowered.

A further adjustment layer was added this time with a short gradient from the bottom, to fade out the stem of the tulip by reducing the exposure.

The overall exposure of the image was taken down a touch and an adjustment to the curve to render the background to near black. Finally, a little clarity was added and a further adjustment layer with some slight highlights increased on the tulip.

The before and after images can be seen below.



Simple Asset Management


SIMP - Simple Asset Management

Simple Asset Management

When embarking a new ‘Asset Management’ software project, some key areas were looked at from the very start to ensure the end result adhered to three main points.


Ease of Use

All too often, the complexity of systems meant the software designed to solve a problem, became the problem itself. User interfaces became a minefield, the initial data per asset was too in-depth and often not even available.

The time taken to collate and input the initial key data had to be kept to a minimum, too complex and the same old result of missing and unreliable data meant unreliable output.

Much of the data per asset is common data, with each asset type having a set of common parameters that could be applied to many assets.  Ensuring as much of the common data is populated for each different asset type ensured the keystrokes required when adding assets were kept to a minimum.

By collating and entering data from the very start of an assets creation or purchase key dates, costs and other data could also be recorded. Ensuring these are correct in the purchase systems meant the share data could also be used for assets. It does not matter what the asset is, it could be a car, an image or a piece of machinery.



It should be remembered we are looking at physical assets, a single item. The single item may be made of many parts, and these parts themselves may need to be recorded. The important part is that we should not lose track of the asset itself. A single entity that is uniquely recorded. It does not matter what location this unique asset is placed, what the asset is used for or who the asset is used by, as all of these are secondary and recorded as such.

If an asset moves, or is resold the asset itself still remains, the unique entity must not change because it is in location B instead of A.

Recording changeable information against an asset is the next important area. The information recorded could be anything from where it is located, a sale or rental price and period, or just that it has been maintained and checked. When developing new systems it should be considered where all key data is going to be recorded and utilise the sharing of common data where possible.

Again ease of use must be considered, the easier and clearer it is made to record data the cleaner and clearer the end result is.


Presenting the data

Ensuring clean and easy presentation of our data is crucial to the system being both accepted and used.

We have our assets and we have our recorded data against these assets. We have to make sure that the data can be found easily, and the results are clear.

Again there are many systems that present user interfaces and data in such a way, that the time it takes to actually find what you want becomes the downfall of the system. The majority of the time most of the data is irrelevant to the person enquiring about an asset, all they want is some small or basic information but instead are present with charts, data, and numbers cluttered onto a screen. Some of this data may be useful, but most will not.

By structuring the output and displaying only key information on initial result screens, it makes it easier for the user to identify the asset they want. Separating further data into key areas ensures that each page displayed is relevant to the users’ request.

It is also important to be able to extract the required data, whether this is required electronically or in printed format, the same applies, key relevant data that the user has requested, if this is the date due for the next MOT, then they do not need the last five years of repair data and similarly if a stock image of a red pepper is required, then those green peppers can be left where they are.

The user is key, they need to get the asset information they want from the system, quickly and easily, they only need relevant information and the need to be able to share, send, record and act on the information, ensuring this will also ensure the system is accepted and used to its full potential.

Pasta Food Photography


Pasta - Andy Sears Pasta, on its own, is not the most inspiring of subjects for food photography. Whether dried or fresh, pasta tends not to have a great amount of detail or texture. Getting in close with a macro lens does open the subject up, you start to see micro detail, a dusting of flour livens uncooked pasta up and provides more detail.

With cooked pasta, photographing while steaming hot can again liven up the scene, a small amount of parsley or black pepper can again add to the detail.

The thin slightly translucent nature of pasta also lends itself to backlighting, where the tones of the pasta and the glow of the backlighting show themselves. It is also a cheap subject, dried pasta, dark background and boiling water on a tabletop studio. Pasta comes in all shapes and sizes so most stores have a good selection of varieties to choose from.

For these images, the lighting consisted of one softbox with daylight fluorescent lamp to the right and backlighting provided by a single Speedlight set on low power.


Pasta - Food Photography - Andy SearsThe fresh tagliatelle image looked quite flat on the first images, a light dust of flour provided extra detail and texture which was picked up with the lighting well. Concentrating on the uncooked pasta first allowed me to play around with the lighting without worrying about pans of boiling water.

In manual mode, I used the lowest ISO I could with the images, to minimise noise, varying apertures were used depending how much of the scene I wanted to focus on.

After the uncooked pasta, I turned to capturing some cooked, steaming pasta. I set up a fork suspended in the air by taping it to the top of canned veg!.



Cokked tagliatelle - food photography - Andy SearsI boiled the pasta in water but removed from the water before it was fully cooked. Now here is the tricky bit, getting the pasta twirled around a fork is not as easy as it seems, it slides off easily and has a mind of its own.

With the intention of capturing steam, my first few attempts failed as by the time I managed to get the pasta on a fork, it had cooled and the steaming stopped. Keeping the fork straight and tilting the pan was the answer. Once securely on the fork, the pasta was dipped briefly back into the boiling water then quickly set up and captured while still steaming.

The steam does not last long and several images were fired off in succession to capture the variations.Some dried parsley was also used on the pasta t give it a little more detail.



WordPress Starter Websites


Responsive Websites  from visart, Hitchin, HertfordshireGetting an online presence can be a daunting, timely and expensive process.  For a lot of new start-ups and sole traders, getting online becomes one of those tasks that get put to the bottom of the pile, with so much time actually running your business and doing the work the ‘online presence’ get left behind.

Visart’s ‘WordPress Starter Websites‘ offer a basic online package giving you your own domain name, e-mail addresses and a WordPress website that looks good on both mobile and desktop devices. For sole traders, new start-ups, creatives, in fact, anyone that needs an online presence, visart’s basic package cost just £99.

With your own domain, you can increase your brand awareness and improve your identity, no more non-descriptive outlook.com or gmail. visart will help you find a domain name that says more about you and your business.

For many years visart has been providing websites for local businesses in Hertfordshire and Bedfordshire, covering everything from Estate agents to Playgroups and Architects to  Holiday Lets. Simple, effective websites that help get you and your business found.

Our WordPress starter websites are fully expandable and you have full control to add as many pages, posts, plugins, themes as you need with no restrictions, allowing the website to grow with your business.

Click Here – For more on our WordPress Starter Websites

Capture One Pro – Getting the look you want

Capture One Pro - Start Image - Andy Sears
Start Image – Unprocessed

Getting the look that you want for your images can be time-consuming with large image files and required processing power often dragging software down to a crawl. This was the main reason for the switch to Capture One Pro.

Processing multiple files and exporting images is fast with Capture One Pro, there appears to be no drag on the system and very little in the way of freezes and crashes. Cataloguing is fast and relatively simple (after the initial learning curve which actually isn’t that bad).

With you images captured you set about tweaking, getting the best out of your image. The first step after importing is getting rid of any junk, a quick flick through the images and I can easily see what to keep and what to get rid of, again this is quick with no lag.

For the adjustments, you can manually adjust exposure, clarity, shadows, brightness etc as well as a mass of other delicate settings. Cropping is easy and can be to a set constrained ratios or free. Adjusting colours, the temperature etc again is with a phenomenal amount of settings, some self-explanatory and some take a bit of working out. From the colour adjustment panel, you can also switch to black and white.

You can also add layers, to process local areas of an image using selection brushes and gradients to create masks.

You also have pre-defined styles which with a single click can create the entire look of your image including black and white, retro looks, portraiture and selective colours amongst the offerings. Other style packs are also available to suit various needs, some free and other to purchase.

Once you have your start image, you can process your basic settings and then clone as a variant so not having to start all over again for different looks. The variants can also be viewed side by side


Capture One Pro - Multiple image selection


As can be seen above multiple image variants can be viewed side by side to see the differences between your processes, with all your available imported files and variants on the right-hand side. The final images can be seen below.

So whether you want to give an image some punch, convert it to black and white or just do some subtle colour correction, it is worth giving Capture One Pro a try with the 30 day free trial.

Download Capture One Pro 10 here

Cosmos in vase - Andy Sears Garden Photography

Capture One Pro - Image Variants

Telephoto Flowers

Dahlia - Andy Sears
Dahlia – ISO320 – 1/250sec f5.6 – 200mm

While most of the time I use my Sigma 105mm macro lens for garden photography, one of my lesser used telephoto lenses is the Nikon 55-200mm f4-5.6 Non-VR Bought second-hand this lens rarely sees the light of day, but on the occasions I have used it, I have been pleased with the results.

Using this lens at the 200mm end actually makes flower photography that much easier, giving me more room to manoeuvre. The depth of field is more forgiving than the macro lens allowing me to capture the full bloom while still separating it from the background. It is also lightweight and gives me the benefit of other focal lengths if needed.

The lens itself does have one major drawback on the autofocus front. It is slow, very slow. Although slow to focus, it does seem to do a good job (given time).

The different viewpoint offered by the telephoto lens is completely different from that of the macro lens. While detail matters I find myself looking at the framing much more closely with the better depth of field using the background flora proved beneficial to the end result.

The Nikon 55-200mm non-vr lens is available second-hand for under £70 and proves to be a real bargain, and offers more flexibility in not just flower photography but in general usage as well.

Pick up the Nikon 55-200mm from MPB



Dahlia Raindrops - Andy Sears
Dahlia Raindrops ISO500 – 1/200sec – f6.3 – 200mm


Rudbeckia - Andy Sears
Rudbeckia – ISO320 1/400sec f5.6 200mm


Cosmos - Andy Sears
Rudbeckia ISO 320 – 1/250sec – f8


















Turn your images into Wall Art


Like many photographers, a lot of the images I take never see the light of day, archived onto hard disks they stay there. Occasionally browsed on a monitor, but not really appreciated.

Some of the images do get printed at home but again most of these get filed away, with the odd one here and there making it to a frame and on the wall. An A4 framed printed does look good mounted and framed, but not really impressive. That A4 photo print looks oh so small once viewed from any sort of distance.

To give an image the wow factor, finishing needs to be just right, and size becomes important. When looking around for a company to turn my image into wall art I came across ZOR.com, an online company supply your image as wall art in various formats and sizes.

Your images as Wall Art from ZOR.com


ZORs offerings include direct print on aluminium with their Aluminium – Dibond (Zor-Alu), photo on acrylic glass (Zor-Glass) and forex photo prints on lightweight Forex PVC (Zor-Ex).  They offer a wealth of standard sizes and also custom printing right up to 100cm x 100cm. Now believe me a 1m square Forex panel

Pricing from ZOR is competitive for example a 60 x 40cm Aluminium/Dibond at €15.99 or 90 x 60cm Forex/PVC at just €25.99. Going larger with a 100cm x 100cm Forex/PVC works out at just €60.00

Regardless of whether you choose the Zor-Alu, Zor-Glass or Zor-Ex, you can be sure of rich colours and perfect photo prints, and by using the downloadable Zor ICC colour profile you can be sure of accurate colour matching. The end result is a piece of wall art that will impress for years to come with its modern look.

Multiple formats can create stunning visual art.


Hanging multiple pieces together in different sizes and orientation can change a large blank wall into a feature and you images are seen rather than hidden away.

My own preference is for the forex photo prints, both lightweight, durable, modern and a cost effective way to display large prints with no need for mounts and frames.

Large prints from ZOR.com, give a large wall that special feature.


The online ordering is quick and easy, select your preferred product, upload your image, select your size (and visually crop if needed), check preview and add to basket. You can even order Command™ Picture Hanging Strips at the same time for easy picture hanging that does not involve picture hooks and nails.

ZOR.com offers high-quality prints, quick delivery, but the major plus is the price which compared to others offering similar products is extremely competitive.

The only problem I have now is which photos to select for printing.


Click here to print your photos with ZOR.com

2017 British F1 Grand Prix


Lewis Hamilton - Winner 2017 British F1 Grand PrixIt was 25 years ago since I last visited the Silverstone circuit in Northamptonshire for a British F1 Grand Prix. On deciding to return this year to capture some images, I remembered from way back then that the Friday practice day was quieter and with the general roaming access gave plenty of freedom to move around the circuit.

In 1992 I used an Olympus OM4Ti film camera and took around 60 images. This time with the Nikon D7200 I amassed a total on 649 images (Pre-editing).

Choosing the Friday appeared to be a good choice, with the Saturday practice and qualifying a wet and dull day, and of course, the main race day packed to the hilt. The other benefit was that I could watch the Grand Prix at home, in full. Was good to see Lewis Hamilton from Stevenage win the day and take P1.


A selection of the images can be seen here.  Silverstone 2017